Pasidalinkite savo kuryba!

Kupales - Dovanu metas! :))

Gal ir ne visiskai kur reikia papastinau si posta, bet manau prie bendros musu kurybos tik si informacija.

Different Twins 2007/2008

Different Twins - two artists from Lithuania, who started creating and performing psychedelic music in 2007, using VST instrumets, live vocals and electric guitar, to create own sound and new psychedelic experiance.

experimental music made by Re-Horakhty in 2007, using only electric guitar, without any soft or other instruments, recorded live track on track.

Track List:

1.Dohm - Psychotic Lithuania
2. Dohm - Androids factory
3.Dohm - Access To Virus
4. Dohm - Liquid Mirror
5. DoHm - So Light
6. DoHm - Forbidden Amazon
7. Dohm - Harmony Of Life
8. Dohm - Palauk
9. DoHm - Randoaga Land
10. DoHm - Then The Sun Goes Down
11. Re-Horakhty - Autumn Sea
12. Re-Horakhty - In the realms of mind deserts
13. Re-Horakhty - The Day before Tomorrow
14. Re-Horakhty - Sia nakti veles grizta namo




Sia smulkmena pasidalinsiu per Kupales. :)

Čiūr man, man, man :D Bet su abiejų parašais :D

dovanos tik "isrinktiesiems"...

dovanos tik "isrinktiesiems"...

nera isrinktuju... visiems!

man viska!!!! visus CD!!! :D

saunumelis, stoju i eile :)

dovanos tik "isrinktiesiems"...

Tu tarp ju? :D

as tai tarp zemes ir dangaus...

Sveiki, geriečiai! :) Norėjau paprašyt Jūsų, Dj's, gal galėtumėte į internetą patalpintį kokių nors chillouto miksų (ambient and easy listening stuff), būčiau labai dėkingas (žinoma, jei jums nesunku). :) Tai va, parsisiųsčiau ir klausyčiau sau svajodamas. :)
laukiu jūsų BALSO.
PEACE

Kodėl būtenti šitaip?,- visi tyli.

Internete gali rasti daug daug tavo prašomų miksų.
O jeigu tu lietuvių miksų nori, tai sunkiai čia tau pavyks :)

Naujausia mano kuryba "po visko".. :)

Naujas masteringo technyksas.. :D

http://www.sendspace.com/file/g7yaak

Progress megejams :) 140BPM

Naujausia mano kuryba "po visko".. :)

Naujas masteringo technyksas.. :D

http://www.sendspace.com/file/g7yaak

Progress megejams :) 140BPM

pagal ka apsprendi, kad cia progressive

Na o kodel tureciau nespresti, kad cia progressive? :) Siaip yra keletas dalyku pagal kuriuos galima spresti, tai bass line'as ir minimalistiskumas kurinyje, nors nesakau, kad progg tai jau minimalistiskas trance. :) Siaip is esmes man nera svarbu kas kaip ji supras ar pavadins... :) Kazkam priskirti tai gi reikia :)

p.s. dede Xy... atleiskite man uz mano toki neisprusima :/

Na o kodel tureciau nespresti, kad cia progressive? :) Siaip yra keletas dalyku pagal kuriuos galima spresti, tai bass line'as ir minimalistiskumas kurinyje, nors nesakau, kad progg tai jau minimalistiskas trance. :) Siaip is esmes man nera svarbu kas kaip ji supras ar pavadins... :) Kazkam priskirti tai gi reikia :)

p.s. dede Xy... atleiskite man uz mano toki neisprusima :/

eee, taigi as nieko nesakau man tik idomu kokiu kriterijum reiktu vadovautis priskiriant prie progressive...

eee, taigi as nieko nesakau man tik idomu kokiu kriterijum reiktu vadovautis priskiriant prie progressive...

:arrow: http://en.wikipedia.org/wiki/Progressiv ... _psytrance

jetus' koks gudrus sprendimas i wikipedia nukreipt 8) auuu, savo minciu plz...

labai gilus naktinukas :) privercia uzsimastyti momentais...

Naujausia mano kuryba "po visko".. :)

Naujas masteringo technyksas.. :D

http://www.sendspace.com/file/g7yaak

Progress megejams :) 140BPM

dėkui iskis, paklausysim - ir įvertinsim. :)

oukai, kadangi Cosmosis aka Bilbo Baginzas sugalvojo uz babkes dalintis savo patarimais (32 EUR) :P wtf... tai copy pastinu senais laikais is jo nucypinta info basica apie basslin'a 8)

paparstai ir su bajeriu

1. "The Oom-Pah" - The original Teutonic knee bender. Possibly originating at the Munich beer festival - spookily enough features on many "progressive" German Trance records

At it's most basic, it consists of a quarter note bass note on every offbeat of the bar. That is to say if a bar is subdivided into 8th notes, then the bass note would come on every other beat; e.g on 2, 4, 6 and 8 while the kick would sound on 1, 3, 5 and 7. Add your own variation by e.g. patching filter to velocity and tweaking velocity....varying the note length etc... moving to another note (shock, horror! at the end of a 2 or 4 bar pattern - which also applies to the following lines too...

2. "The Gallop." Consists of bass notes on these 16th note subdivisions in a bar: 3+4, 7+8, 11+12 and 15+16 Yee-harrr!

3. The "Doof-a-Danga' Consists of bass notes on all 16th note subdivisions in a bar except on the beat - that is to say except where the kik lands; so omit notes on (16th. note subdivisions 1, 5, 9 and 13) Popular in much of the so called "full on" style Trance and Israeli Trance in particular...

These are your basic patterns. You can play then straight, but perhaps better to bring your own compositional skill into play by mixing them all up to create an individual line, varing some notes for accents. Another idea is patch the velocity to the filter in the synth. and adjust the note velocities (by small amounts) to create some accents, It's up to you.

Remember; whatever sounds good, is good.

Another important tip is that you should keep your sequencer note length quantization on a 64th note resolution or less. Varying the note lengths by small amounts can quite drastically alter the overall effect when it comes to Trance basslines, making the difference between a nice, tight funky groove or a drunken punk rock band at their first gig.

Now, for the bass sound.

Select a subtractive synth (Hardware or VST)

A good place to start (and end actually) is setting the oscillator at a single saw wave. If you decide to use two oscillators, a square wave mixed with a saw wave one octave above, at around 70/30 ratio low/high will sound great.

Also, when using more than one oscillator, I prefer to hit the sync. button (or similar function - Phase Init. on the Access Virus) to lock them both together to stop any phase variation at note on, which will play havoc with the levels of individual notes in the bassline. Trust me, you don't want this.

Filter the result with a 24db low pass filter, (but 12db or even a 6db can sound cool too)

Filter Envelope: Fast to medium decay. Filter envelope sustain: zero.

Filter envelope depth: Set approx between 5 - 30% ( depends on the synth...)

Top tip: keep the resonance value low for trance basslines with this type of envelope shape and depth. From 0 - 25% res.

Amp envelope: For now keep the attack and release as fast as possible without clicks - again depends on the synth - for now, keep sustain at maximum. Adjust the release in the range 0 - 20% until it sounds nice and sits with the kik.

Set up the kick, loop the track and tweak the above parameters until you are satisfied that it all locks together nicely.

Another top tip is: Choose a kick that fits with the key, or a key that fits with the kick. It doesn't have to be the same note neccesarily, just something that sounds consonant. Then tune the kick up or down a little in the sampler until the low frequencies gel best.